
INSIDE FOUR MONCLER GRENOBLE SKI CAMPAIGNS
Across recurring Moncler mountain productions, each brief changed the
camera method: Patagonia, 16mm film, glacier access, first takes and night
action.
Alexander Rydén is a skiing cinematographer and action director based in Åre, Sweden, whose lifelong background in skiing and climbing shapes his work in mountain productions worldwide.
His athletic background allows him to work with the camera from inside the action, skiing alongside world-class athletes and stunt performers in terrain where traditional camera access is often impossible.
The shot still has to serve the story. Before I go for it, the route, risk and purpose all have to make sense.
In steep or remote terrain, reaching the position safely is what makes the shot possible. Fitness, preparation and restraint belong in the camera kit.
I want people to feel the rush, sense the exposure and understand what it is like to be in places that rarely make it onto a set.
Cameras Red, Arri Alexa Mini, Sony Venice, DSLR, and Gopro
Gimbals Freefly MoVi and DJI Ronin
Prime lenses or small zooms are possible
Skiing with camera packages up to 10 kg
For those requiring assistance with heavier loads, we invite you to submit a request.
Due to the nature of these loads, special gimbals are necessary
I’ve worked alongside established directors, cinematographers and production companies on international campaigns, films and television productions.
Recent and defining work across cinematography, directing, documentary and specialist camera roles.
| Client | Project / Production | Role |
|---|---|---|
| Prime Video | Amazon MGM Studios / Skydance / Paramount | Ski Cinematography |
| Nivis | The Mountain Doesn’t Care | Ski Cinematography |
| Moncler | 4 Global Campaigns (FW22–FW25) | Ski Cinematography |
| Red Bull | 10+ Productions | Director, DOP & Cinematographer |
| Peak Performance | 9 Global Campaigns (FW & SS) | Cinematography |
| Peak Performance | Spirit of Alaska | Director of Photography |
| Swedish Television (SVT) | Det gränslösa — Episodes 1–2 | Director of Photography |
| Elevenate | Tobias Granath Portrait | Director & DOP |
| Shades of Winter | Between — Feature Documentary | 2nd Unit Cinematographer & Aerial DP |
| Ledlenser | Commercial production | Director of Photography |
| Client | Project / Production | Role |
|---|---|---|
| Elevenate | Tobias Granath Portrait | Director & DOP |
| Red Bull | Kristofer Turdell — Japan Standard Time | Director & DOP |
| Red Bull | Kristofer Turdell — Skiing Tolpagorni | Director & DOP |
| Peak Performance | Follow Windstedt | Director & DOP |
| Whiteout Pictures | The Game 1 & 2 — Anton Thelander, Nicholi Rogatkin | Director & DOP |
| Whiteout Pictures | Rista — Mini Documentary | Director & DOP |
| Primus Equipment | Climbing Bohuslän | Director & DOP |
| Presten | Climbing Documentary | Director & Producer |
| Loro Piana | Shot in the Alps | DOP |
| Thule | Kristofer Turdell | DOP |
| The Mountain Studio | Global Launch | DOP |
| SVT | Documentary Series — Det gränslösa, Episodes 1 & 2 | DOP |
| Skadi | Kajsa Larsson & Malou Peterson — Documentary | DOP — Big Mountain Skiing |
| Red Bull | Kristofer Turdell — Iceland | DOP |
| Red Bull | Kristofer Turdell — Road to Verbier Documentary Series | DOP |
| Red Bull | Henrik Windstedt — Alaska | DOP |
| Peak Performance | Perspective | DOP — Skiing |
| Peak Performance | Spirit of Alaska | DOP |
| Peak Performance | Resort Skier — Carl Regnér | DOP |
| Ledlenser | Mountain Bike | DOP |
| J.Lindeberg | Skiing Canada | DOP |
| SkiStar | TV Commercial 2013 & 2014 | DOP |
| Shades of Winter | Between — Documentary | 2nd Unit Cinematographer & Aerial DP |
| Prime Video | Amazon MGM Studios / Skydance / Paramount | Ski Cinematography |
| Nivis | La Casa Films & Tilt | Ski Cinematography |
| Visa | Olympics 2026 | Ski Cinematography |
| Moncler | FW25 | Ski Cinematography |
| Moncler | FW24 | Ski Cinematography |
| Moncler | FW23 | Ski Cinematography |
| Moncler | Shaun White — Chubby Films | Ski Cinematography |
| Moncler | Hypebeast — Alpha Productions | Ski Cinematography |
| Moncler | FW22 — Iconoclast, Jonas Lindström | Ski Cinematography |
| Red Bull | Jesper Tjäder — Unrailistic Invitational | Ski Cinematography |
| Red Bull | Olympic Park Session — Dombås | Ski Cinematography |
| Oysho | FW23 — Be Sweet Films | Ski Gimbal Cinematography |
| Sunrise | Czar | Ski Gimbal Cinematography |
| Thule | Adventure Production | Ski Gimbal Cinematography |
| Ford | MJZ | Ski Gimbal Cinematography |
| Visa | Olympics 2018 | Ski Gimbal Cinematography |
| The Old World | Documentary, Châtel Winter Segment — Tillmann Brothers | Ski Gimbal Cinematography |
| SVT | Documentary — Besegra berget | Ski Gimbal Cinematography |
| Discovery | Olympics 2018 | Gimbal & Drone Cinematography |
| CAKE | Global Launch — Whiteout Pictures | Gimbal & Drone Cinematography |
| Peak Performance | Redefine 30 Years | Gimbal & Drone Cinematography |
| Peak Performance | FW16, FW18, FW19, FW21, FW22 | Gimbal & Drone Cinematography |
| Peak Performance | SS15, SS16, SS18, SS20, SS21 | Gimbal & Drone Cinematography |
| Mitsubishi | Eclipse — Film Art | Gimbal & Drone Cinematography |
| Nufferton | New Land | Gimbal & Drone Cinematography |
| Haglöfs | Vassi — Whiteout Pictures | Gimbal & Drone Cinematography |
| Goodyear | Ski Cross — Whiteout Pictures | Gimbal & Drone Cinematography |
| Aksel Lund Svindal | Documentary, Åre Segment — Field Productions | Gimbal & Drone Cinematography |
| Silva | Whiteout Pictures | Gimbal Cinematography |
| Unibet | We Are Atlas | Gimbal Cinematography |
| Atomic | Mattias Hargin | Gimbal Cinematography |
| Svenska Turistföreningen | Whiteout Pictures | Gimbal Cinematography |
| Volkswagen TVC | House DDB | Drone Cinematography |
| Red Bull | Jesper Tjäder — Open Loop | Drone Cinematography |
| Red Bull | Markus Stöckl — World Record Documentary, Chile Segment | Drone Cinematography |
| Dubbeldusch | New Land | Drone Cinematography |
| Huawei | Honor 8 — Tarot Pictures | Drone Cinematography |
| Volvo | V90 — Made by Sweden | Additional Drone Cinematography |
| Indutrade | Uhrner & Krantz Media Group | Drone Cinematography |
| Telia | Drone Cinematography | |
| Hästens | Sleep to Perform | Drone Cinematography |
| HEAD | Field Productions | Drone Cinematography |
| Sune i fjällen | Feature Film | Drone Cinematography |
| SVT | Hemma hos arkitekten | Drone Cinematography |
| Red Bull | Jesper Tjäder — The World’s Longest Rail | Cinematography |
| Helly Hansen | Commercial | Photographer |
THE FOUNDATION BEHIND THE WORK
34 YEARS
More than three decades on skis have shaped Alexander’s movement, line choice and judgement in the mountains. That experience is the foundation for operating a camera alongside athletes in steep, fast and exposed terrain.
21 YEARS
More than two decades of climbing on rock and ice have built focus, movement and risk awareness. From 7c+ onsights to 500-metre big walls, that background is part of what makes complex productions possible.
INSIDE THE WORK

Across recurring Moncler mountain productions, each brief changed the
camera method: Patagonia, 16mm film, glacier access, first takes and night
action.

To keep a cinema camera close to downhill racer Felix Monsen, I changed
more than the camera setup. I changed what I wore

Behind the scenes of a pioneering dynamic ski film, utilising cutting-edge filming tools to create an extraordinary powder edit. Skier Henrik Windstedt shares the

As a skiing camera and gimbal operator, I filmed exhilarating action sequences alongside biker Vincent Tupin for ‘The Old World,’ a groundbreaking European bike
Unofficialnetworks / Monitor / Filmmakers World
Red Bull / Freeskier Magazine / IMDB / Huskypodcast
Powder Magazine / Magasin Åre / LTZ / Head
Freeride / Cinematography / B60 / Unilad / Årelive / Eatmynews